Not only has she caught something horrifying recorded on a KIMI, but it’s actually (and, yes, this is a bit of a coincidence that viewers just have to run with) related to the company for which she works, one that wants all of this, including some of the tech secrets of KIMI it could reveal, to go away right now. She’s tech-savvy enough to play with the sound and isolate the human element, which leads her down a rabbit hole of increasing mortal danger. Behind a wall of music, there’s what sounds like a scream and a struggle. One day, Angela is going through her errors and hears something truly disturbing. She can’t even leave to see her mom ( Robin Givens), shrink ( Emily Kuroda), or even the dentist ( David Wain) who thinks she has an abscessed tooth. A product of the days when no one left their apartments during the pandemic, leaving more people to stare out their windows, she developed a relationship with the handsome guy across the street named Terry ( Byron Bowers), but she only sees him when she texts him to come over, and she meticulously washes all the sheets when they're done. Angela listens to all of these soundbites and teaches the technology another phrase for “paper towel.”Īngela also happens to be extremely agoraphobic. For example, someone asks KIMI to order “kitchen paper” and the tech can’t figure out what that is. The main one is that errors in communication with KIMI are handled and corrected by an actual person. She works for a tech company that has a life-changing product called KIMI, which is basically a version of the real-world Alexa or Siri, although this one has some twists I don’t believe Amazon and Apple have considered. The vast majority of the first hour of “KIMI” takes place in one Seattle loft apartment, occupied by the single Angela Childs (Kravitz).
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